Tags: Nicole Marie Schreiber

Shift to a New View with a Tattoo

by Ruth Tenzer Feldman
Published on: November 4, 2014
Categories: Basics, Craft, Creativity
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ada-tat-cropClearly I am better at writing books and articles than I am at taking selfies of a tattoo on my left forearm. The tattoo is a temporary one of Ada, Countess of Lovelace, daughter of English poet Lord Byron, and the presumptive first woman computer programmer in history. Ada is also the name of a particularly robust programming language, so when my husband chaired an international conference on Ada recently, the temp tats were a natural bit of swag. At least I thought so, because I was the one who suggested them.

What does an Ada tattoo have to do with Viva Scriva? First off, it reminded me of Scriva Nicole’s recent blog post. She wrote:

[T]ry something new and different, even something that others may think is crazy, unusual, and not you at all…“for the writing.”   Your present and future stories will thank you for it!

Nicole is taking her own advice (go, girl!) and I’ve done a bit of the same, mostly by treating myself to Turkish delight. But the main character in my work-in-progress doesn’t sport a tattoo. Instead, the Ada tat has provided a less direct influence on my writing. Wearing the tat in so prominent a spot has made me feel confident, stupid, out-of-place, over-the-top, bold, artistic, wild, sassy, sexy, secretive, ridiculous, and shy. The key is context, the people Ada and I were with, the places we went to, and why we were there. That, dear writers, did a ton of emotional work “for the writing.” The tattoo is temporary; the experiences much longer lasting.

The second reason this relates to Viva Scriva is that the Ada tattoo has been fun. I designed, ordered, and wore it on a whim. When I’m writing and rewriting, I rarely work in whim-mode. I wonder, though, what would happen if for no good reason at all I crafted a scene that was entirely disconnected from the narrative arc of the story. Would that ignite a creative spark or addle my brain? Whim. Worth a try, don’t you think?

 

“I Bought It for the Book”

by Ruth Tenzer Feldman
Published on: September 4, 2014
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Hand-bowlRecently Scriva Nicole posted her thoughts on engaging in experiences “for the writing,” and I can attest to her enthusiasm…and courage…to practice her own advice. Way to go, Nicole!

My variation on Nicole’s theme rests in the selfie you see of my hand. It’s a small ceramic bowl from Turkey, and I had the pleasure of buying it in Istanbul a couple of years ago. No, I didn’t go to Istanbul merely for the sake of my next novel, although doesn’t that sound romantic?  But there I was, on a regular old tour with regular old folks (OK, folks of a “certain age”), and we went to the obligatory ceramics store.

I need yet another bowl like houseflies need yet another receptor in their compound eyes. Still, this little gem was hand made in the style of the Iznik porcelain famous during the 16th century, at just the time of my book-to-be. The flowers were right. The colors were right. And, because of the bowl’s size, the price was, if not right, than at least not outrageous.

I am finally writing that book which includes 16th Century Istanbul. My bowl does evoke memories of the city, and for that reason alone I’m glad to have spent the money. But there’s more. I find now that this bit of faraway with its long-ago design beckons me to sit down and write the story that’s in my head and the imagination that rests in the palm of my hand.

 

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