On Yoga, “Home,” and Critique Groups

by Elizabeth Rusch
Published on: May 16, 2012
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In yoga class recently, my teacher read a passage from The Spirituality of Imperfection: Storytelling and the Search for Meaning by Ernest Kurtz and Katherine Ketcham. As she was reading, I thought, “Hey, she’s talking about my critique group!”

This is the passage:

Home is, ultimately, that place where we find the peace and harmony that comes from learning to live with the knowledge of our own imperfections and from learning to accept the imperfections of others. Such a place, such a home, can exist in various settings, but its ultimate foundation rests jointly within self and within some group of trusted others. Some places are more conducive to this experience than others. But wherever and whenever we do attain that sense of “being-at-home,” we experience a falling away of tensions, a degree of balance between the pushing and pulling forces of our lives. In such a place, we cease fighting—most importantly, we can cease fighting with ourselves. We find the space to be the imperfect beings that we are, and we discover that in such a space, we also become able to let others be who they are.

I realized that our critique group has become a sort of home for me personally and as an artist and writer. We literally share our imperfect work and our imperfect selves with each other. We are striving together to become great writers, great artists, and great people but there is an implicit acknowledgement and acceptance that we are not perfect. If we and our work were perfect, why would we bother meeting?

So what does this mean for you and your critique group? I don’t know exactly. But I think it has something to do with celebrating the imperfection of writing, the imperfection of critiquing, and the imperfection of being human.

Welcome home.

ScrivaLiz

What to Wear?

by Elizabeth Rusch
Published on: April 20, 2012
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O.K. This is silly. I know. But it’s April and April Fools Day always gets me into a certain mood. So the question of the day is: What should one wear to a Viva Scriva meeting? I asked myself this question one afternoon when ScrivaAmber and I got together for a writing date, and I just didn’t feel like writing. So I started drawing. And giggling. And eventually Amber asked me what I was giggling about. So I showed her my drawing of a Viva Scriva Uniform:

That was fun! So I continued, with the “Rear” view:

Tee Hee.

ScrivaLiz

 

On Bitching

by Elizabeth Rusch
Published on: March 20, 2012
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“I hate revising! It’s so f—ing hard!”

“I got a no from that agent I submitted to…”

“My editor is leaving and my book is totally orphaned.”

Why does almost every Scriva meeting start with a bitching session?

Let’s see the same quotes again, with some typical answers:

“I hate revising! It’s so f—ing hard!”

“No kidding, I hate revising, too. But you’re so good at it.”

“Yeah, I can’t wait to see it again after your revision…”

“I got a no from that agent I submitted to…”

“Her loss…have you sent it out to another one yet?”

“What did the letter say. Anything interesting?”

“My editor is leaving and my book is totally orphaned.”

“Man this business is so hard. It’s just crazy isn’t it?!”

“Your book is great. It will find its way. Have you talked to any one there about the marketing plan?”

Bitching is actually an essential element of our critique group meetings. Writing is a difficult, frustrating, infuriating vocation. The process of writing and revising and submitting and being rejected and being disappointed at how a published book fares can drive a lone soul crazy.

But we are not alone. We have each other — other writers taking the journey who know how hard it is. We can commiserate and encourage each other.

And so we do. Almost every meeting. And that’s a bitchin good thing!

5 Tips on Good Bitching

1. Don’t let it take over your meeting. Share, complain, snark, and commiserate. Then get down to the work at hand: Critique.

2. Share the floor. Even if you think you have more to complain about than anyone, let other people share their woes, too.

3. Be generous. With hugs, praise and encouragement, you can turn a critique buddy’s day, week or month around.

4. Leave room for good news, too. Things might be going well for some critique group members. Check up on them, too, so they don’t feel like they can only share bad news.

5. Take it outside. If someone seems really down or discouraged, consider following up with a phone call, email or note — or invite them to coffee or for a drink. They might need more time than the meeting would allow.

Sharing the good, the bad, and ugly is necessary sometimes — and can make your critique group closer and more effective.

So bitch away!

ScrivaLiz

www.elizabethrusch.com

 

On Missed Meetings

by Elizabeth Rusch
Published on: February 20, 2012
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I have a confession to make (now I’ll be able to tell if the Scrivas are reading this). I almost bagged a Scriva meeting for no good reason. I was tired. (Was that a scratchy throat? Could I say I was sick?) I felt busy and wanted to spend an evening with my kids. I hadn’t read everything yet and I didn’t feel like reading. I mean, I really didn’t feel like reading. I had a good novel on my bedside and that seemed a whole lot easier and a whole lot more pleasant. And I hadn’t submitted anything, so I wouldn’t miss any important comments.

But I wasn’t sick. My kids weren’t sick. And my husband even said: You have a Scriva meeting tonight, right?

So I picked up the reading. And guess what? I kind of got into it. The Scrivas are super creative people and great writers. I jotted some notes, got my lazy arse out of the house and went to the meeting.

And I loved it. We laughed. We bitched. We argued (in a good hearted way). We discussed points of view. Our responsibilities to young readers. The nuances of an LSD trip. I was so glad I went.

Sometimes you have to miss a critique group meeting. And that’s OK. But:

1. Don’t make it a regular thing. Missed meeting are not good for your writing or your mental health.

2. Do let your critique group know ahead of time. Duh! Common courtesy. If you don’t, they might wait for you or get into a fist fight saving you a chair.

3. Do try to read and comment on the submitted material anyway. You can mail or email your comments before or after. (Sometimes we Scrivas do this, sometimes we don’t. It hasn’t been a problem because we have so many dedicated members. In a small group, this could be essential.)

4. Do have a good reason. You know when you really need to miss a meeting. But a critique group is a commitment. Don’t do it lightly.

5. Don’t miss too many in a row. You’ll lose the thread of a novel-in-progress, miss some fabulous discussion and weaken your ties to the group. If you know you have to miss six months in row, let your group know that you have to take a breather.  Most likely they’ll have a seat waiting for you when you get back.

ScrivaLiz

www.elizabethrusch.com

 

 

 

Who’s on First? What’s on Second? (Part II)

by Elizabeth Rusch
Published on: January 21, 2012
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Part Two: Who gives comments first?

If you’ve given many verbal critiques in your life, you know that it can be a bummer to be the last person to speak. Everyone has already said everything you were going to say! The only thing worse is if you are ALWAYS thelast person to give a critique.

So how can you make sure this doesn’t happen in your critique group? It depends on your group.

If you are all considerate, thoughtful, self-aware people, you might not have to do anything formal. Someone excited to give comments will start and you jump around as people volunteer. Or after someone starts, you go around the table from there. This works if no one tries to go first or second more than once. (This is mostly how the Scrivas handle it.)

If someone seems to go first more often than not, or if someone always seems to be stuck last, there is a simple solution. Start with the person to the left of the writer whose work is being critiqued and go clockwise from there. Everyone goes first, everyone goes last, and everyone is happy.

P.S. I don’t mind going last. I like tailoring my comments to what has already been said. And hearing other people’s comments gives me more ideas which I can share on the spot.

Elizabeth Rusch

www.elizabethrusch.com

 

Who’s on First? What’s on Second? (Part I)

by Elizabeth Rusch
Published on: December 20, 2011
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Part One: What order do you critique in?

Picture this. You get your critique group together in a coffee shop for a meeting.  You’ve all read and commented on each others pieces, the small talk is over, and it’s time to get down to business. Everyone knows this, senses it’s time, yet nothing happens. Maybe there is an awkward pause.

Someone says: “What piece should we do first?”

People throw out ideas: “Well, Jules hasn’t submitted in a while so why don’t we start there?”

“How bout we start with the picture book, it will be quicker.”

“Sammie has a deadline coming up so let’s start with hers…”

The discussion about where to start could take up the whole meeting. (Well, not really, but you get my point.)

The Scrivas did this for a while, just playing it by ear. But that felt awkward, arbitrary, and possibly unfair. What if someone’s work was always critiqued last, when everyone was tired and time was running short?

So these days we have a process that works pretty well. It’s simple: First come, first served. Scrivas submit (by email) manuscripts to be critiqued at least one week before the scheduled meeting. We critique manuscripts in the order they are received.

There is a built in incentive to get work in early. If you do, your work will be addressed toward the beginning of the meeting when people are fresh and energy is high. If you submit late (past the deadline), we may or may not get to your piece.

It’s not as harsh as it sounds. We all try to give each piece our best critique no matter where in the meeting it falls. And we usually fit every piece in.

But now, we always know what’s on first. And there’s even some playful competition for that coveted first spot.  (I, the reigning champion, am being challenged by ScrivaAddie. Hiss.)

 Elizabeth Rusch

www.elizabethrusch.com

Gift of Gratitude: Thankful Beads

by Elizabeth Rusch
Published on: November 18, 2011
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One holiday season, a couple years ago, I had a strong urge to give something to the Viva Scrivas to thank them for all the ways they have helped me and my writing.  What I had in mind would take some time, so it wouldn’t work during a normal critique group session. I saved it for a writing retreat.

After dinner the second night of the retreat, after the plates were cleared but the wine was still flowing, I gathered the Scrivas back to the dinner table and pulled out a box of beads and some thin wire.

I felt alittle awkward, kind of dorky, at first. What if they didn’t like the activity? What if they thought it was tiresome or corny? But I went ahead and explained that we were going to make Thankful Beads. Each person would make a string of beads, each bead signifying something they were thankful for in their writing life. They could start by picking beads that inspired them or by making a list of things that they were thankful for and then choosing beads that best represented each item.

The Scrivas got quiet, and I got nervous. 

Then they slipped into the work, jotting notes, fingering through beads. I swear I have never seen these writers so quiet unless they were writing – and with wine goblets at hand, noless. They wrote:

Writing time

       Health

                My beautiful desk

 

A husband’s support

            Great books

                        The outdoors               

 

Writing conferences

            My editor

                      The Scrivas

Someone chose a brown, lumpy bead for a faithful dog. A shiny sparkling amber bead for Ideas. A red bead for her mother.

When we were finished, we each shared our string of beads, touching each one as we said our thanks aloud.

And the next day, as the Scrivas wrote, their Thankful Beads were right nearby.

Happy Thanksgiving,

ScrivaLiz

 

 

Welcome ScrivaMichelle!

by Elizabeth Rusch
Published on: November 16, 2011
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The Viva Scrivas are proud to announce a new member to our group and to the blog: Michelle McCann. ScrivaLiz met Michelle more than a dozen years ago, when Michelle was a children’s book editor at Beyond Words. In fact, Michelle acquired Liz’s first children’s book, Generation Fix: Young ideas for better world. Soon after, Michelle went on maternity leave and didn’t end up editing the book, but Liz and Michelle hit it off and began meeting regularly to critique each other’s work. Nicole joined them briefly just before Michelle took a hiatus from writing to concentrate on editing and on her family. But writer Michelle is back, and we are thrilled to have her! Here’s Michelle’s bio and a list of her books:

Michelle Roehm McCann has worked as a children’s book editor and art director for more than twenty years, shepherding hundreds of children’s books into print. She has also written and compiled seven award-winning children’s books of her own. Michelle received a BA from Brown University, an MFA in Writing for Children from Vermont College, and currently teaches about children’s books and publishing at Portland State University. Michelle lives in Portland, Oregon with her family, their two cats, two rats, and one leopard gecko.

Luba: The Angel of Bergen-Belsen (Tricycle Press/Random House, 2003)
Going Places (Beyond Words Publishing/Simon & Schuster, 2003)
Finding Fairies (Beyond Words Publishing/Simon & Schuster, 2001)
Boys Who Rocked the World (Beyond Words Publishing/Simon & Schuster, 2001)
Girls Who Rocked the World 2 (Beyond Words Publishing/Simon & Schuster, 1998)
Boys Know It All (Beyond Words Publishing/Simon & Schuster, 1998)
Girls Know Best (Beyond Words Publishing/Simon & Schuster, 1997)

A Compelling Case for Longer Picturebooks

by Elizabeth Rusch
Published on: November 10, 2011
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ScrivaLiz found this article in the School Library Journal to be so, so true…

http://www.libraryjournal.com/slj/printissue/currentissue/892418-427/make_way_for_stories_theres.html.csp

Scathing Review of the Movie Mozart’s Sister

by Elizabeth Rusch
Published on: November 10, 2011
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ScrivaLiz just posted a scathing review of the film Mozart’s Sister on INK, Interesting Nonfiction for Kids…

http://inkrethink.blogspot.com/2011/11/will-real-maria-anna-mozart-please.html

ScrivaLiz is the author of For the Love of Music: The remarkable story of Maria Anna Mozart, the only nonfiction book on Wolfgang’s sister published in English.

 

 

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Welcome , May 18, 2012