Archives: February 2015

Reading Bad Books

by Addie Boswell
Published on: February 27, 2015
Categories: Other Topics
Tags:No Tags
Comments: No Comments

Best-selling bad book threatens the very foundation of feminism or provides a titillating escape, depending on who you ask.

Should you or shouldn’t you? Or maybe the better question is: Do you or don’t you? Read bad books, by which I mean formulaic, cliched, stiff, tawdry, populist, immature, or otherwise embarrassing books. There is a belief that “real” authors don’t and shouldn’t read trash. That reading a bad book is the equivalent of feeding your brain junk food, and even worse, that the junk food might start clogging your arterial thoughts and make your writing stupider. Bad writing is catching.

I’ve never quite bought it.

Like most writers, I suspect, I want to write a literary masterpiece, the book that could win me a Printz, a National Book Award, even a Pulitzer. Huzzah! While I’ve read many prize-worthy books, I’ve put plenty of them back on the shelf too. On a given night, I reach for books more pedestrian. Books I might meet at a vacation beach house or an outdated doctor’s office. Young adult thrillers. Old school romance novels. I rarely stop reading them, even when the stilted prose makes me cringe.

Stephen King says, “Almost everyone can remember losing his or her virginity, and most writers can remember the first book he/she put down thinking: I can do better than this. Hell, I am doing better than this! What could be more encouraging to the struggling writer than to realize his/her work is unquestionably better than that of someone who actually got paid for his/her stuff?” (from his excellent On Writing)

So true! Though I don’t read bad books for that reason either. Not to make myself a better writer or feel a little righteous snobbery. I read bad books for the same reason I read good books: to escape reality. I am willing to extend almost any courtesty to a book that will pull me into another place and time. I can hate the character, scorn the dialogue, disdain the whole premise, and still I will read on. If the plot fails, I will read on in the eternal hope that it will improve. That might make me easy as a reader; some might even say sloppy. But I am an adult now, and I haven’t met a bad book I couldn’t read.

“One learns most clearly what not to do by reading bad prose,” from the Master King again. I would add that you sometimes learn what to do right as well. But you don’t have to read to save the world. You can read just to read. And you can eat Cheetos while you do it.

Bullet Journal Your Way Into Writing

by Elizabeth Rusch
Published on: February 20, 2015
Comments: No Comments

Do you find it hard to find time to write? When you do have time to write, do you waste time wondering what to do? Inspired by a blog post by the wonderful children’s book author Kate Messner, I have started bullet journaling.

Instead of reading my lame description of how to do this, watch the video here.

Take the time to think out your month, think out your days and week, and break down your writing projects into distinct steps, and you might find, like me, that you have more time to write when you make it a priority and when you know just what to do when you sit down.

Hope you find it as helpful as I have!


The Wonder Cupboard of Amy Baskin, an occasional series

by Amber Keyser
Published on: February 12, 2015
Categories: Creativity
Comments: No Comments

The creative process is endlessly fascinating. Get a bunch of writers together and they end up talking about how it works for them. I was lucky enough to become partners in midnight, low-tide wanderings with the Mudflat Heathens, a group of writers in the Pacific Northwest. Thanks to editor Andrew Karre’s inspiration, we got to talking about the flesh and bones from which we work.

We’ve launched this occasional series to give you a peek into our secret stash of inspiration–our Wonder Cupboards. May I present to you Amy Baskin:

The Wonder Cupboard of Amy Baskin

view from a caveAmy Baskin’s Wonder Cupboard includes a rickety fire escape balcony, the view from inside of a cave, moss, heart-shaped rocks, Tuck Everlasting, Gilead, The Snow Child, mustard seeds, sock monkeys, and a quote from Lyle Lovett: “Well God does, but I don’t. God will, but I won’t. And that’s the difference between God and me.”

Amy reads to escape or help interpret reality. She writes for the same reasons. Her limited concept of home decorating involves stacks of books- in corners, on tables, where the TV used to be. Her work has appeared in various publications including Stories for Children Magazine and Reading Local: Portland. In September, she won the Pacific Northwest Plein Air Writers People’s Choice award for her poem, Snowbound: Day 6, Imagined. She enjoys collaborating, particularly with Jason Baskin, her husband and in-house illustrator.

Plagiarize, Plagiarize, Plagiarize!

by Ruth Tenzer Feldman
Published on: February 4, 2015
Comments: No Comments
With credit to Johannes Vermeer (1632-1675)

With credit to Johannes Vermeer (1632-1675)


Now that I have I caught your attention, let’s clarify. I do not want you to take someone else’s work and pass it off as your own. Nope. Not good. A definite no-no.

Still, I offer you this ironic line from an old song by Tom Lehrer about a Russian mathematician. “Plagiarize, plagiarize, plagiarize. Only be sure to call it please research.”

Research is exactly what I’m talking about, research into how the best authors craft a sentence, paragraph, or scene. Here’s what Ursula K. Le Guin, writer extraordinaire, says in her “how to” book, Steering the Craft:

A rational fear of plagiarizing, and an individualistic valuation of originality, have stopped many prose writers from using deliberate imitation as a learning tool…. I think conscious, deliberate imitation of a piece of prose one admires can be good training, a means towards finding one’s own voice as a writer…. What is essential is the consciousness. When imitating, it’s necessary to remember the work, however successful, is practice, not an end in itself, but a means towards the end of writing with skill and freedom in one’s own voice.

Thank you, Ursula. Enough said.

page 1 of 1

Welcome , March 19, 2018