#AMWRITING

by Nicole Marie Schreiber
Published on: June 18, 2013
Categories: Other Topics
Tags:No Tags
Comments: No Comments

 

Many of my full-time writer friends take time off during the summer  from their normal writing regiment that they follow during the rest of the year.  If they have kids, summer is the time they go on vacation with their families and spend more quality time with them, and if they don’t, summer just seems like a time that they take a little break.

Not for me.  Summer is my optimal time to write.  I teach PreK during the rest of the year, and though it is only part time, it takes prime time away from writing.  But when school is out, the writer in me beams and does a Snoopy dance.  Writing Time!  Writing Time!  I’m about to have more Writing Time!

Today, my first day of summer break, I woke up and said,  “I am only a writer today!”  I wrote for FOUR hours straight this morning.   It was amazing!  With no day job to have to worry about, or school to bring my own kids to, I could just be a writer.  When I am absent for the rest of the year on Twitter or in the blogosphere, I suddenly emerge as if from a cocoon and start tweeting and reading blogs and commenting.  I wish I could be better about it during the other parts of the year, but it’s too hard.  All I can do during spring, summer, and fall is squeeze in as much writing time as I can, and social networking gets pushed to the side.

But not in the summer!  Yippee!

Now, it helps that I have a husband who works from home and helps with the kids so I can go off to write at a coffee shop or the library during the summer.  He did that today, and I am so grateful.   The few camps that my kids are signed up for later this summer will help give me time to write, too (as well as curb summer boredom for them).  I’ll be able to write, and then have quality mom time, too, instead of working at a day job and have to take away quality mom time in order to write.

So, let’s cheer on the arrival of blue skies, berry season, popsicles, the opening of the outdoor pool, and more writing time!

 

Welcome Summer!

 

-Nicole Marie Schreiber

 

 

Share

Embarrassing but true, I cut 5,000 words of fluff

by Amber Keyser
Published on: June 12, 2013
Categories: Craft, Other Topics
Comments: 1 Comment

word count massacreRevision comes in many shapes and sizes, and to be honest, I find most of them quite painful.  I love what happens as a result of revision.  My manuscripts are better, cleaner, truer and more alive because of the process, but it hurts.  That’s okay.  I eat chocolate at 10:00 am and swig coffee and play with silly putty and I get it done.

And sometimes (because I am a little crazy), I graph it!  The Scrivas have blogged about how we use graphs to identify strengths and weaknesses (Graphs and Charts, Oh My), but I’m not sure we’ve used them as progress reports before.

So here’s the deal…

I have written a YA novel called THE HUNT FOR MARA LAYIL under contract for Relium Media.  It is part of a broader transmedia property called ANGEL PUNK that has multiple storytelling platforms–comics, gaming, fan engagement, and film.

I’ve been working on the book for about two years.  It has been through the wringer of many Scriva critiques.  It has also been professionally edited by the divine Emma Dryden of drydenbks.  I did several major developmental edits as well as the more precision-targeted line-by-line edits.  I went through the thing MANY times.  It was in GOOD shape (I thought).

90,000 words of well-crafted, explosive prose.  (Right?)

Then Relium Media brought agent, Kirsten Neuhaus from Foundry Literary, onto the team.  Kirsten is smart, dynamic, and best of all she gets the transmedia aspect of the ANGEL PUNK property.  She loved the book (see, it was in good shape), but she wanted me to cut 5,000 words.

*jaw drops to floor*

What was I going to cut?  Seriously, I’ve been through that thing.  I need all 5 points-of-view.  I need all those scenes.  I have subplots!

Kirsten was pretty specific in her guidance.  ”Don’t cut anything big.  Just cut the fluff.”

The task at hand was to tighten the prose.  I figured out my goal: sixteen words a page.  Before I got to work, I decided (since I’m a dork that way) to graph my progress as a way to both track the goal and to encourage myself along.  I entitled the file Word Count Massacre.

And you know what?  I did it, and it wasn’t even hard.

When I read with an eye for words that weren’t doing sufficient heavy-lifting, I found them.  I learned I have a habit of saying things twice in different ways as if I couldn’t decide which was better and so doubled-up.  I learned that I state things that can be infered from the text.  (For example: She picked up her fork and ate a piece of cheesecake.  Smart readers know that She ate a piece of cheesecake probably means with a fork.)  I sometimes use complicated language such as she was in the process of looking back when she looked back is fine.

It was crazy and good.  Now I know that I will NEVER send a manuscript out without doing a read through for the fluff.  Thanks, Kirsten!  That was damn good advice (and yet another reason agents rock)!

Share

“Fail Better”

by Melissa Dalton
Published on: June 9, 2013
Categories: Challenges, Craft, Other Topics
Tags:No Tags
Comments: No Comments

Veronica Roth, author of the Divergent trilogy, quotes Samuel Beckett and has great advice on critique and writing here. Inspiring stuff!

Share

Seligmann, Seligman, and Perfection

by Ruth Tenzer Feldman
Published on: June 4, 2013
Comments: No Comments

WSM-cropI never would have noticed the error if I hadn’t decided recently to make a fictional family tree of the descendants of Miriam Seligman(n), known as “Savta” (Grandmother) in Blue Thread. As I went back over the electronic version of the manuscript, I discovered that about half the time I spelled Savta’s last name as Seligman. The other half of the time…you guessed it. Seligmann.

No one noticed. Not an editor or a copy editor or the author. What? Unacceptable!

After I did the usual muttering of expletives and mini-flagellation, I calmed down and accepted the inevitable. Writing, like most if not all human endeavors, is asymptotic to perfection. We strive, but we never quite get there.

Then I discovered this quote ascribed to William Somerset Maugham:

Perfection is a trifle dull. It is not the least of life’s ironies that this, which we all aim at, is better not quite achieved.

Maugham (1874-1965) was quite a well-known British writer (I should write so well), one of the most popular in the 1930s. He produced scores of novels, plays, and short stories. Orphaned at age 10, young William came under the care of a rather icy uncle. He later became a doctor, served in the ambulance corps in World War I, and worked as a spy for the British Secret Service. Certainly not a dull life.

In Britain each May, the Society of Authors presents the Somerset Maugham Award to the best writer (or writers) under 35 who published a book in the past year. The award money is to be spent on foreign travel. What a perfect way to spend an award. Did I say perfect? Never mind.

 

Share

Wanted: Stories

by Sabina I. Rascol
Published on: May 31, 2013
Categories: Basics, Craft
Tags:
Comments: No Comments

You know those ads in writing magazines that say, “Writers wanted?” In fact, we all want stories, even need stories, but what is a successful one? 

Going through my file of valuable writing advice, I came across an interview with Lisa Cron, author of Wired for Story, that ScrivaAmber shared months ago. I liked what I read so much that I went out and bought Cron’s book.

I continue to refer to Wired for Story and to Lisa Cron’s definition of story.

“A story is how what happens (the plot) affects someone (the protagonist) in pursuit of a difficult goal (the story question) and how he or she changes as a result (which is what the story is actually about).”

Read the whole interview here. And happy crafting of satisfying stories to share with the world.

-Sabina I. Rascol

www.sabinairascol.com

 

Share

Surfing Lessons

by Addie Boswell
Published on: May 26, 2013
Tags:No Tags
Comments: No Comments

surfer-free-ocean-wallpapers-blirknetI find it harder to write in the summer. In Portland, the sun calls and the pace of life seems to pick up. There are great writing conferences to attend, not to mention arts fairs and music festivals, farmers markets and bike-in movies. The light lasts long, the kids are out of school, and nothing seems as important as sitting on the porch and simply enjoying life. And yet… writing must continue.

My critique group has taught me all manner of things about writing itself, but perhaps the more important lesson is how to “be a writer” in the larger sense. How to organize families and careers, deadlines and day jobs and dreams. And in seasoned authors, I sometimes glimpse a subtle and graceful equanimity that a yearn for, the same balance great surfers have. They seem to be rolling with the waves so fluidly it seems like they are actually in control of their destinies. How does one do that?

Develop your Creative Habit. The more creatives I meet, the more rituals I learn about. Writing in the morning vs. the night, 1000 words a day vs. six months on/six months off, a busy coffeeshop vs. a soundproof studio. One thing is always the same: successful authors have writing habits that they stick to, week in and week out.

Work with the Seasons. For many writers, that means winter is for for deep writing, and summer is for research and querying, short-term pursuits, or vacation. (While teacher-writers I know follow the opposite schedule.) I still feel guilty when I break from standard working hours, even though they never served my energy cycles very well. It takes constant reminding that a freelance life can be shaped to fit.

Cut loose things that aren’t working. It is difficult to leave an agent or critique group. Even harder, to put down a project you’ve invested months in. But saying NO may be the most powerful skill that I have learned yet. And when I think back on the great NO’s that my writer friends have made, I see how they have prospered by them in the end. As a career coach once asked, When you say NO to something, what does that allow you to say YES to?

Trust in Divine Timing. “Divine timing” is my favorite phrase personally, though you might think of it as serendipity or karma or market trend or just luck. Though i like to believe that a great story will always find its way, many parts of publishing are beyond mortal control. I have watched as books search for homes, languish for years, and get undermined by forces beyond their control. And then I’ve been amazed how those same books resurface, long after they’ve been given up for dead. The hardest answer may be the best: put the manuscript down and let fate go about its work. 

Share

A Rainbow of Writing Advice and Inspiration from the SCWI Oregon Conference

by Nicole Marie Schreiber
Published on: May 22, 2013
Tags:No Tags
Comments: No Comments
So much colorful advice from the 2013 SCBWI Oregon Conference! Just like this box of vintage thread recently given to me, it's very hard to choose which piece to follow and use first. I just want to stare at the lot in wonder and revel in the beauty of it all.

So much colorful advice from the 2013 SCBWI Oregon Conference! Just like this box of vintage thread recently given to me, it’s very hard to choose which piece to follow and use first. I just want to stare at the lot in wonder and revel in the beauty of it all.

This past weekend I was lucky enough to attend the annual SCBWI Oregon Conference in Portland, Oregon, where I heard a virtual rainbow of writing advice and inspiration from outstanding literary agents, editors, and authors.  Here is just a portion of the colorful words that stuck with me…

 

“Your goal is to get the character to tell you the TRUTH!”

 

“Write what you love.  What you are called to write. It’s the voice and character that matters.”

 

“Strive for what John Gardner calls, ‘the fictional dream.’”

 

“Practice sculpting language.”

 

“Here’s my advice to you…don’t listen to advice.”

 

“Make up your own rules. Or better yet, have no rules.”

 

“Discover the world around you with your writing.”

 

“If I were to write what I know, this is what my book would be..  got up, made stuff up, went to bed.”

 

“Read a hundred books of the one you want to write. Or a thousand!”

 

“The story is what matters!”-

 

“What is the big story idea?  What is pushing it forward?”

 

“Show up. Pay attention. Tell the truth. Let go of the outcome.”

 

I highly recommend our blog readers to attend a local SCBWI conference if you can.   Being around other professionals and lovers of children’s books is an invaluable experience!

 

Happy writing!

 

-Nicole Marie Schreiber

Share

Too LOUD!

by Elizabeth Rusch
Published on: May 20, 2013
Tags:No Tags
Comments: No Comments

For many months now, the Scrivas have been trying out different locations for our monthly meeting. We had found one, Canvas Art Bar, that was perfect: cheap food and drinks, artsy atmosphere, big tables, open late. But alas, it closed and we’ve been gypsies ever since.

The upside is that we have sampled many local Portland cocktails and nibbles. That truly is kind of fun for a working parent like me who doesn’t get out much. But each meeting has had its challenges: getting a table, fitting in the tiny room where we had a table reserved, hearing each other across a HUGE table, hearing each other when far apart at a long skinny table, hearing each other over loud music or a busy bar-like atmosphere, feeling like WE’RE too loud at a mellow coffee shop. Really, we didn’t know how good we had it at Canvas until it was gone. Sigh.

Then we tried a brand new café.  As I headed there I was worried – it’s in a busy part of town and parking could be tough. And lo and behold, I had to drive around and around and around to find a spot. I rushed in but was greeted by two smiling Scrivas at a long table, a menu that included yummy cocktails, sandwiches and salads, and a big glass case with gorgeous pastries.

We ordered and started talking. We found ourselves struggling to hear and be heard. I glanced around and there was only one other table filled. Then I notice the music, not blasting but pretty loud. We struggled along for a few minutes and then suddenly peace settled. The waitress had turned the music down. We smiled our thanks to her. We’ll be back.

What do you look for in place for your critique group meetings? What challenges have you faced and how have you addressed them?

ScrivaLiz

Share

Critique gone wrong, personal baggage, and how to make the most of writing workshops

by Amber Keyser
Published on: May 13, 2013
Categories: Critique Process
Comments: No Comments

I want to draw your attention to an incredibly helpful post by Randy Susan Meyers at Beyond the Margins.  I think it hits many of the key areas where critique groups can go off the rails and how to respond to these issues.

 

MANAGING CRITIQUE IN WRITING WORKSHOPS

“No child could possibly be happy about her father moving out!”

The above was said to me at a writing workshop, in a discussion about my then unpublished novel (it eventually became The Murderer’s Daughters.) The ‘child’ in question lived with a selfish, sarcastic, angry mother and an oft-drunk “mooning around” father. In the questioned scene this 10-year-old protagonist voices guilty relief at finding a less troubling atmosphere after her father moved out.  A workshop member, adamant in his belief that no child would ever feel relief at her father leaving the house, expressed insistence bordering on disbelief (that I would write such an emotion!) bordering on disdain (that I would be able to dredge up such an emotion!)

Really?

Precious minutes slipped away as the group debated this point. The workshop operated under the “in-the-box” silenced writer rule (which most of the time I agree with) so I could only listen as time ticked by as the debate raged.

Should this point have been up for grabs? (And should anyone wag their finger when giving critique?) This is problem I’ve found in writing workshops. Let’s call it the ‘scrim’ factor. Aside from the craft of the work, the plotting, the plausibility, believable motives, and the ability of the writer to engender suspension-of-disbelief, when (if ever) is a character’s ‘belief system’ up for judgment—especially if the judgment is made based on the belief system of a fellow workshop member?

Never.

READ THE REST HERE.

 

Share

“Books are made in revision.”

by Melissa Dalton
Published on: May 8, 2013
Categories: Other Topics
Tags:No Tags
Comments: No Comments

As I try to get through the revision of my novel’s first draft, I sometimes turn to John Green for a little pick-me-up. He and his brother, Hank, have been exchanging weekly video letters to each other since 2007, gaining lots of popularity and creating quite the archive. Here’s one that I stumbled upon recently that made me feel better after a tough writing day. In case you just want to hear my favorite part, I’ve transcribed it below:

“Books are made in revision. For all three of my novels, I have deleted 90 percent of the first draft. And everything that people like about my books emerges in later drafts…Like if you want to think about it like sculpture, writing a first draft is like digging the clay out of the ground. And the revision is like when you actually use the clay to build something. That you like….See that was a good example of first draft failure.”

– John Green, “NaNoWriMo!!!”

November 2, 2009

Share
page 1 of 21

Welcome , June 19, 2013